The Tempest's post show talk with Terri Paddock

Started my weekend in Oxford with Creation Theatre Company's excellent promenade, game-theatre, experiential production of #Shakespeare's THE TEMPEST. After boarding "Creation Cruises" at The King's Centre, Oxford, the audience becomes shipwrecked along with the characters, experiencing the charms of local Osney Island, traipsing through the woods, along the river and behind the scenes of local businesses turned into magical playgrounds. (Including a zombie chase in a butcher's shop).Such fun! And the fun continued with our extensive, and ever-growing, post-show Q&A with Creation's executive director Lucy Askew and cast members Al Barclay, PK Taylor, Ryan Duncan, Madeleine MacMahon, Itxaso Moreno, Chris Robinson, Simon Spencer-Hyde, Annabelle May Terry and Giles Stoakley, plus interns William Van Walwyk and Michael Deacon. With big shoutouts to adapter/director Zoe Seaton and designer Ryan Dawson Laight, as well as the behind-the-scenes team and participating businesses that make it possible.THE TEMPEST continues until 15 August, but it's selling out FAST. Please watch and share – and good luck getting tickets.🎟🎟 https://terri.im/TempestCT_Tix 🎟🎟
Posted by Terri Paddock on Saturday, 27 July 2019

After boarding “Creation Cruises” at The King’s Centre, Oxford, the audience becomes shipwrecked along with the characters, experiencing the charms of Oxford’s Osney Island while traipsing through the woods, along the river and behind the scenes of local businesses turned into magical playgrounds. (How many Tempests involve a zombie chase in a butcher’s shop?!)

On Friday night, the fun continued after the performance with my extensive, and ever-expanding, Q&A with Creation’s executive director Lucy Askew and cast members Al Barclay, PK Taylor, Ryan Duncan, Madeleine MacMahon, Itxaso Moreno, Chris Robinson, Simon Spencer-Hyde, Annabelle Terry and Giles Stoakley, plus game interns William Van Walwyk and Michael Deacon.

What do we mean by so many different terms: game versus immersive, site-specific, site-responsive and experiential theatre? Where did it all start? What special challenges are there for performers, companies and theatregoers? How do the cast deal with real-world interventions – dogs, cyclists, weather? And just how brilliant are adapter/director Zoe Seaton, designer Ryan Dawson Laight, as well as the behind-the-scenes team and participating businesses that make it possible?

Watch – and please share – the full #CreationTempest post-show Q&A below. If you’re in, near or can get to Oxford, I highly recommend you experience this one for yourself. But you’ll have to act quickly: it’s selling out fast.